To
date, Riccardo Goti is a name largely absent from the mind of many a
perfumisto. After studying design at the State Institute of Art in
Firenze, Goti first stepped into the limelight with his unique
fashions and use of unorthodox materials; mixing fabric with cut
leather and metal hardware. With a more recent shift in focus towards
jewellery design, Goti found his fame in the accessories market...
his universe still utilizing raw leathers, tarnished metals,
semi-polished stones and pliable materials like tin. In 2008,
motivated by a desire to create unique, multi-faceted, multi-layered
perfumes to accompany his accessories Goti recruited one of the
oldest cosmetics manufacturers / pharmacies in the world - Santa
Maria Novella. Together, they produced three GOTI ESSENZE fragrances
composed of wholly natural ingredients: Black, White and Earth. Their
very select distribution rendered them virtually invisible on the
radars of devout perfumisti, but they created a distinct 'blip' on
the screen of the fashionisti that had followed Goti's journey from
the very beginning.
In
2013, Riccardo Goti has recently added two new scents to his
portfolio: Gray and Smoke. But before I go on, I feel it is worth
noting that the previously-launched trio have been completely
reformulated to coincide with the 2013 new product launch and
re-packaging of the brand. (There is no indication given as to why
the previous scents are now largely unrecognisable today, but I have
discovered that Santa Maria Novella are no longer producing the Goti
Essences. That assignment has now been turned over to Laboratorio
Therapeutico M.R., a Florentine pharmaceutical / neutroceutical firm
founded in 1930, which - since the early 80's - has diversified its
business by creating cosmetics and food supplements). Whilst this
might have had something of an impact on the first three fragrances,
we can gladly approach Gray and Smoke as Goti Essenze newcomers and
take them at face value. In this blog piece I will be turning my
attention to Smoke, which in my eyes, is the more interesting of the
pair.
Smoke
– contrary to that which its name might suggest – is not a
run-of-the-mill olfactory study of charred woods and ashen embers
that we perfume lovers have seen time and again. In fact, it is quite
the opposite. Smoke – at least by the hand of Goti - feels more
fluid, colourful, and transparent. Absent are the dark plumes of oud,
birch tar and black tea that one might expect of such a scent, and in
their place, a fascinating arrangement of notes that lend a curious
translucency. A jewel-coloured opening of pomegranate startles with
its bittersweet piquancy. This purple-red fire dances on a soft bed
of cedar... a scattering of fragrant woodchips that provide a sense
of combustable warmth. Moments into it's flight, there is a slightly
bewildering camphorous quality that hints at the presence of blue
eucalyptus or green menthol, but no such elements exist. I grasp for
answers, only to realise I've discovered a penetrating yellow note of
zesty ginger pooling below the surface. This ginger imbues the scent
from top to bottom with an almost petroleum-like quality... it is
sharp, aqueous and feels somewhat volatile and incendiary.
The
foundation upon which Smoke was built includes ebony, incense and
resins. The citric-orange presence of frankincense is very clear in
this composition and partners well with the ginger, only amplifying
it's abundance. It adds colour and dimension and lingers long into
the drydown.
Riccardo Goti's interpretation of Smoke makes for an imaginative change of tact as far as smoke-themed perfumes are concerned. It feels infinitely more modern and avant garde than the majority of those that have gone before it. This genderless scent will captivate and mystify many with it's vivid colour and unique composition.
The
new Goti Essences now appear in stunning, lightweight 50ml and 100ml
polished metal flacons. The smaller of the two is perfect for travel,
and the luxurious 100ml comes with a detachable leather bulb
atomiser. A small screw cap and metal cover for the flacon are
included with the larger size. Both are packaged in exquisite sturdy
black boxes with tooled leather buckles. Very 'Goti' indeed.
Limited
global distribution renders Goti Essenze somewhat tricky to source.
In
Australia, the complete line is available through Dilettante in
Perth city and in Claremont, Western Australia.
Visit:
http://www.dilettante.net
for details.
2 comments:
It is nice to see thatGoti Essenze is back even though news of reformulation of the previous essences are a bit alarming. I own a SMN-forulation Black and I think it is quite unique in the way it presents a sheer blackness based on opoponax and patchouli under a minty opening. Smoke sounds very interesting but as you say Goti fragrances are quite hard to find. I stumbled upon my bottle of Black in a sale and bought it bland and have never regretted it. The bottle is glass but the box is very similar.
I was also taken by pre-reformulation Black.
I have the remains of a 100ml glass bottle which now - given the reformulation - I covet. The SMN version prickles in the nose more than the new version, which feels somewhat anaemic and stripped right back.
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