Showing posts with label Swedish. Show all posts
Showing posts with label Swedish. Show all posts

Friday, 26 March 2010

AGONIST (Parfum Nordique): The Infidel


So few successful perfume houses have emerged out of Scandinavia, which to me - someone living in Denmark - is something of a mystery. One might reason that Scandinavia is perhaps best recognised for its simple, clean, unembellished style and one might further suggest that perfume (a rather complex creation), somehow contradicts the widespread notion that function is perhaps more esteemed than excess here in the Great North. Fortunately, Agonist Parfums, based in Stockholm Sweden, is the second major Nordic brand to enter the international fragrance market in recent years, and is one that represents a marriage between modern Swedish handcrafts and perfumes that are exceptional in nature.

In close collaboration with professional perfumers in Grasse, Agonist is a new Scandinavian fragrance brand launched in November 2008 that creates gender-neutral eau de parfums that embody a sense of Nordic climates and cultures: full of dramatic contrasts and artistic exactness. Agonist Parfums' bond with with glass artist Åsa Jungnelius who works with Sweden's most prestigious, oldest glassworks Kosta Boda has resulted in stunning artistic interpretations of each fragrance in glass. Her unique flacon designs are individually fashioned for Agonist in Kosta Boda's raging furnaces.




To date, Agonist have released 2 perfumes. The first, Kallocain (2008), was presented in a stunning black glass flacon with tapering neck - a design that was exhibited worldwide and is now a part of the permanent collections at the Röhsska Design Museum in Sweden. The second, named The Infidel (2009) was originally presented as a limited edition figural pair of artglass flacons, and recently re-realised in stunning vermillion red.




If the truth be told, prior to my sampling, I could not have imagined the elixir that any of these remarkable vessels held. Perhaps I had expected something typically Scandinavian: understated, architectural, sanitary; but I most certainly was not prepared for my experience with The Infidel. This perfume reveals a dignified citrus opening with flourishes of semi-transparent black currant, but almost immediately steps off the abyss and plunges towards a fathomlessly deep heart of aromatic cumin. Under normal circumstances, I might have winced at such a heavy-handed use of cumin, but here it resides amongst a narcotising scattering of aromatic florals, which do well to transform the sweaty skank into something camouflaged and hypnotising. As the cumin continues to establish itself, a blossoming magnolia accord reaches out with its powdery pink tendrils over a creamy tonka core. Some time later, there is a sensation of growing heat that presses up from below... an insolent ember of amber and rockrose that provide a residual background warmth. The Infidel as it's name suggests, is a non-conformer. This perfume represents all that I had not imagined I might experience when applying it to my wrists. It is rich, spectacular and imposing.

The Infidel continues to evolve over many hours, and at some point, doubles back on itself. Where most perfumes work through their olfactory pyramid from top, to middle, to base; I felt as though after a time, it worked its way back again. Nine hours after application, the amber and cumin have dissipated and I am left with the faintest huff of floral greens on my skin.
Whilst many perfumistas might argue that the Kosta Boda presentations are inessential (and many glass collectors feel the same about the perfume), I feel Agonist have succeeded in unifying two spectacular works of art.

Visit the Agonist Parfums website for more information on the brand, and how to order Agonist products.

Sunday, 2 August 2009

Scents in Orthodoxy: Byredo Encens

Celebrations in the Orthodox calendar are numerous. Whilst I grew up far from my Greek heritage and motherland, as an adult married to a Serbian woman, I find myself more and more immersed in the rich tradition that Orthodoxy embraces. Today, on August the 2nd, my wife and family celebrate the Serbian Orthodox feast of Prophet Ilias... an annual observance of the family's patron saint. The day often begins with a ritual visit to the Orthodox church where slavski kolac - a traditional bread is blessed, and then taken home to be eaten with lunch.

Whilst I'm not particularly devout, I do enjoy the opportunity to visit the church with its highly decorative wall paintings and cavernous ceilings. The interior is usually dimly lit with flickering candles which illuminate the centuries-old icons around the room. The air is thick with the smell of beeswax candles and billowing incense, which spills from golden swinging censers. Our occasional visits to these closed spaces result in a sensory blitz of enormous proportions, but when we arrive home again, we find our clothes have been imbued with exotic resinous perfume. For some time now, we have wished for the perfect incense with which to scent our home in the very same fashion.

In my opinion, French perfumer Olivier Durbano best interprets incense in his seven stone poems, however I have finally discovered another treasure; one that we can use to scent our domicile. That is, the hard-to-come-by Encens by Byredo - an ambient room spray and votive candle that are true to their name. Encens is one in a series of discontinued Byredo ambient perfume products that I have enthusiastically taken under my wing. It is tarry and thick with the aroma of smokey benzoin, fragrant clove and bitter cinnamon. There is a soft floral quality

at its heart - something akin to rose - but this only lends a tender dewyness to the mix. I sense the green tang of bay leaves at its core too... the sum of these ingredients make for a comforting, warm, mouth-watering spray that perfume the home magnificently.
It may be a far cry from the censers of the Greek or Serbian church, but Encens is what we want our home to smell of... husky incense; perhaps coupled with the persistent aroma of gingerbread baking in the other room. A few spritzes on the sheer curtains pulled across an open window will scent our house for hours.

It is unfortunate that Byredo have decided to cease production of this product. It could quite possibly have been one of those 'best-kept secrets' that people pass on to one another by word of mouth.
I am shouting it from the rooftops in the hope that you, cherished reader, still have the time and motivation to get out and source some. While you're at it, have a sniff of Byredo's Bibliotheque room spray for a ground-breaking olfactory experience.

While stocks last.

Thursday, 23 July 2009

New from Byredo: Blanche



Stockholm-based fragrance house BYREDO have launched some fascinating parfums in recent times whilst working alongside world renowned perfumers such as Olivia Giacobetti (L'Artisan Perfumeur, Frederic Malle, Costes), Jerome Epinette (Jovoy Paris) and Michel Almairac (Chloé, Bond No9, Gucci). It could be said that their approach to perfumery is somehow very Scandinavian: understated, refined and with a distinct focus on craftsmanship and quality. Now, as Byredo celebrate the launch of Blanche, their 8th skin scent, it is my pleasure to write these few words about this compelling release.

Just as the name suggests, Blanche is a tribute to the colour white. Ben Gorham, the founder and creative director of the brand, notes the following: "the fragrance is pure and simple in structure but extreme in character"... and his perception is right on the money. The scent opens with diamond-white aldehydes that suggest a fragrance almost transparent in nature. Tender white roses blossom over a heart of hushed violet, dewy neroli and blushing peony... and whilst one can feel the translucent quality of this perfume, it is a scent which is really quite intricate. I immediately get the sensation of gauzy white linen billowing on a clothes line, still slightly damp from the wash. It is a sensation that I not only register via my sense of smell, but almost through touch... the composition is very tactile; soft and vapourous. 


Comme des Garcons might have taken some liberties when announcing the aroma of "washing drying on the line" in their 1998 head-space perfume offering Odeur 53, and perhaps the single-scent powerhouse Demeter may have taken a very literal approach when creating their perfume titled Laundromat; but Byredo's Blanche appears to have achieved this "fresh linen" approach with finesse and sensitivity. Light musk, blonde woods and fragrant sandalwood furnish the fragrance with a sense of depth, and lend a sense of familiarity and comfort.

To my astonishment, I found that the fact this perfume is somehow diaphanous in nature, does not mean to say that it is in any way fleeting. Whilst sampling, I sprayed both a card and my skin with Blanche and I retained the scent for an entire day... the card was still perfumed after two. Quite possibly Byredo's best offering yet.