Tuesday, 16 September 2008

S.T. Dupont Noir

In fragrance circles, there is little known or spoken of with regard to the history of S.T Dupont. Perhaps best known nowadays for their iconic lighters, the French luxury house S.T Dupont was founded in 1872 when Simon Tissot-Dupont opened a prestigious leather goods workshop in Paris. His luxurious leather accessories saw his company rapidly become successful amongst the Parisian high society, and later his sons André and Lucien Dupont went on to produce items for the cream of international society: Cartier, Aspreys of London, the Maharaja of Patiala and the British Royal Family. New innovations came during the highly creative Arts Deco period, and later, with the scarcity of raw materials available during the second world war, the Dupont brothers turned their attention to producing the first pocket petrol lighter. The move was a spectacular success, and to this day, their meticulously crafted metallic, enamelled lighters remain a symbol of status and good taste. In the 70s, the company shifted focus and added bejewelled writing instruments, watches and men's accessories to their portfolio.

It was only in 2003, the brand experienced somewhat of a revival where they sought to produce luxury items that stood at the crossroads between tradition and innovation. A new era saw them apply its values and graphic language to contemporary products such as laptop cases and USB keyrings - all of which carry the S.T Dupont emblematic pattern: the Diamond Head. 

In a marriage between tradition and glamour, in 2006 S.T Dupont launched S.T Dupont Noir - a masculine scent, packaged in a striking obsidian-black glass flacon carrying the faceted Diamond head motif. It is a wonderful object to hold in the hand... both monolithic and cold, its high-shine surface captures and reflects the light beautifully.

Im my humble view, the scents in the S.T Dupont portfolio are vastly underrated. Noir is a fragrance that I wish was awarded the attention it deserves. Its a heavyweight amongst the lightweights... meaning that, for a scent created for the designer market, it is remarkably robust. Created by perfumer Michael GirardNoir is a scent full of contrasts... it opens with a wonderfully cool jet of mint and soft butterfly lavender which lull the wearer into believing this fragrance is anything but "Black", but then it takes an exotic, spicy turn with cardamom, mace, fragrant clove, and precious woods. It is this warm, piquant heart that prickles with embers of allspice, and, when warmed on the skin, it radiates magnificently. Application in warm weather will allow these accords to truly blossom and captivate! Vetyver, fragrant woods and sensuous cashmeran all dominate on the drydown. 

Noir is an above-average scent, with above-average persistence. I feel it is very fitting as a smart office fragrance, or for evening excursions. 
It is as vivid and lively as the night itself: dark shadows, pounced with light, and brimming with promise.

1 comment:

Andrewthecologneguy said...

Agree with you yet again D. Noir is highly underated. I fell in love with Baldesarrini by Hugo Boss, but couldn't get with the lack of depth and longevity. I tried other scents that were similar, Dior's Fahrenheit 32 for one, but that proved to be futile.
I found Noir and decided to give it a go (who can resist that bottle!) I was delighted to finally find a similar scent to Baldesarrini, but with the full body and charisma I require. There is a scnet by Guerlain (L'Instant Magic? maybe not) that is quite similar as well, but it has an older air to it.